Meet the Winners!
picks
Álvaro Vegazo's makes 'classic' reportage and street photography where composition, gestures of the subjects and the photographer's gaze manage to result in a pleasant and impactful image. The (chance?) or patience of the photographer makes us simultaneously see the men looking one way while the woman in the background looks the other way. Even metaphorically this photograph tells us a lot.
I’m attracted to the clutter and composition of these images — each one is jam-packed, multi-layered, and crowded with life. Aniruddha Guha Sarkar fills each frame with activity, and puts us in the mix, up close. He helps us to see the beauty of everyday humanity in these dense urban spaces shaped by shadows and vivid colors and bathed in rich warm light.
I was pleasantly surprised by the work of photographer Caroline Grimprel, who was a discovery for me. Her series Ones Among the All stood out for its calm and melancholic feel. I also appreciated her use of vertical compositions in street photography—which is not an easy feat. Each photo introduces us to scenes of a small Japanese town, yet the emotions conveyed could resonate anywhere in the world. Caroline's ability to capture stillness and emotion in her work is very impressive. Her unique approach and skillful execution in Ones Among the All showcase her great talent and thoughtful perspective.
Daniel Sackheim's black and white images have a timeless, cinematic quality. I feel like I'm looking at a movie set with the info booth and the express train images in particular. He makes strong compositions and uses light and shadow very effectively. Each scene feels dramatic. Overall the set of pictures hang well together. Daniel's professional background as an Emmy award-winning director and producer, and his early obsession with Film Noir has clearly played into how he sees and makes images.
This series by Gustavo Bravo brings a new layer to street photography. The photographer follows the body language of pedestrians through the streets of Bilbao, from light to shadow, allowing you to see them for a moment. It refers to the work Beltzuria by the writer Ixiar Rozas, whose study of words forever transforms the photographer's view who uses the camera to read the energy emitted by human beings passing through this space: some absent, others sleepwalking. Already in ancient times, the Romans believed in the existence of 'genius loci', spirits that watched over and protected certain spaces, giving them special magic, sometimes of an evil character.
In the attempt to contribute to photography and more specifically the subset genre of street photography, a lot of images become the same—there’s a similarity in tropes, ideas and use of color and shadow, etc... and while tradition needs to be respected and honored, it's crucial that a pursuit to contribute and advance the medium is always present. It is extremely clear to me that the series The Illusion of Meaning by Svilen Nachev does exactly this. The work is surprising, funny, dark and unique all at once. The idea that this work was not just a fluke was reinforced by visiting the artist's website, where many more, if not better images can be found.
Sadie Quarrier is the Deputy Director of Photography for National Geographic where she manages a team of 19 photo editors and oversees the assignment, production, and acquisition of photography across print and digital platforms. She provides journalistic insight and editorial guidance on the development of visual storytelling across platforms.
Previously she was Deputy Director of Mobile Storytelling where she oversaw producers creating engaging, mobile–first stories and videos. From 2002-2019, Sadie was a Sr. Photo Editor at National Geographic magazine where she was responsible for producing, managing, and editing 20+ stories/year. She was twice a finalist for Visual Editor of the Year by Pictures of the Year International (POYi). Sadie has traveled around the world on assignments and teaching National Geographic Photo Camps. Her career started at National Geographic in 1992.
Paul Schiek 是 TBW Books 的创始人,这是一家位于加利福尼亚州奥克兰的独立摄影书籍出版商。他还是 Workshop de Allende 的主任,这是一个位于墨西哥圣米格尔德阿连德的摄影艺术工作坊,最近的工作坊课程由 Curran Hatleberg、Juan Brenner、Jim Goldberg、Alessandra Sanguinetti、Mark Steinmetz 和 Irina Rozovsky 主持。
Gulnara Lyabib Samoilova is a photographer, author, and founder of Women Street Photographers. With 40 years’ combined experience as a documentary and street photographer, artist, darkroom printer, photojournalist, and photo editor, Samoilova transformed the successful Instagram account @WomenStreetPhotographers into a global platform. She has launched a website, traveling exhibitions, artist residency, inspirational film series, and photography book, Women Street Photographers (Prestel, 2021). A former Associated Press photojournalist, Samoilova received national and international awards for her iconic photographs of September 11, including first prize in the World Press Photo competition. She holds a certificate in creative practices from the International Center of Photography in New York City and a diploma in photography from Moscow Polytech College. Samoilova lives and works in New York City.
Enrico Stefanelli 是Photolux Festival的创始人和艺术总监,这是在意大利卢卡举办的摄影双年展。他策划了多场展览,包括:Tim Hetherington、Jan Saudek、Horst P. Horst、VII Agency、Nobuyoshy Araki、Boris Mikhailov 和 David Douglas Duncan。从2010年到2017年,他是欧洲摄影展奖的意大利策展人。Enrico 是一名摄影师和记者,并在工作坊中教授摄影。他为多个目录、书籍和杂志撰写了关于摄影的文章和贡献。他在世界各地参加作品集评审,担任国际摄影比赛的评委,并且是世界新闻摄影Joop Swart Masterclass提名委员会的成员。他还是Leica Oskar Barnack Award 和 Prix Pictet的提名人。
Marina Paulenka 是Fotografiska Berlin展览的创始总监,负责博物馆的展览策略、艺术愿景和事务以及项目。Fotografiska是一个当代摄影、艺术和文化博物馆,旨在为柏林提供最美丽的舞台之一,既为成熟的艺术家和新兴人才,也为柏林国际知名的创意社区提供展示平台。Paulenka在艺术指导、策展、教育、领导、管理和文化艺术机构和组织的发展方面拥有15年的经验,同时也有自己的艺术实践。
她曾担任UNSEEN Foundation和UNSEEN的艺术总监,这是一个总部位于阿姆斯特丹的当代摄影平台,展示摄影的最新发展并提升突破界限的艺术家的职业生涯。在加入Unseen之前,她曾担任克罗地亚领先的当代摄影机构Organ Vida国际摄影节的艺术总监和策展人。Paulenka是Bristol Photo Festival创意委员会的成员,FUTURES Photography的客座策展人,以及FORMAT21国际摄影节的主旨策展人。她因“Engaged, Active, Aware: Women Perspectives Now”展览获得2018年Lucie Awards最佳策展人/年度展览奖。
吉姆·卡斯珀是LensCulture的主编,LensCulture是一个领先的在线平台,致力于发现来自世界各地的新当代摄影。作为当代摄影界的活跃成员,卡斯珀喜欢与摄影师见面并讨论摄影。他策划艺术展览,出版书籍,举办工作坊,担任国际评审,提名摄影师参加重要奖项,并担任艺术和教育组织的顾问。